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Philosopher Roger Scruton presents the documentary and explains about the importance of beauty in the arts and in our lives. Much has been made of the
allegedly universal appeal to the human eye of savannah-like landscapes, and our
supposed inheritance of this instinct from our distant ancestors. But how do we
explain the universal appeal of other landscapes--alpine mountains, for example.
They offered some survival advantages, such as heights to overlook terrain. The
adaptations to savannah-like landscapes are certainly consistent with the
ability to survive in other areas, and those adaptations must somehow transfer
to the appeal of those other landscapes.
If we look at courting behavior in modern times we find that beauty and attractiveness are very much twisted and
shaped by culture, even though the "fundamental" reasons are typically explained
in biological terms. For example, females are supposed to be skinny these days,
as being thin is typically depicted as "healthy", whereas in other times being
thin and skinny was considered ugly, as skinny people were typically poor (same
with skin colors, dark was once considered ugly). Being healthy or being poor
are then explained as being good or bad for potential offspring. While this
seems to make sense, I am skeptical if our "sub-consciousness" really knows so
much. But it illustrates that beauty-ideals actually change through the
times.
Perhaps there are some "ideal concepts" hardwired in our brains, such as finding a landscape memorable (landmarks? navigation?) or advantageous
in some other sense, and the rest is taken over and shaped by culture.
I also think that we like things that are close to our concepts, a quality we may
call "iconic-ness". Perhaps they are familiar, or easier readable and we like
this better than "alien" or entirely "unknown" things. But we also like the
unfamiliar, the new thing—but it must be new within a reasonable margin, so that
it makes us interested to explore more of it. These two ends "known" and
"unfamiliar" already provide a "scale" where our taste gravitate to some state
somewhere in-between, dependent of our mood (both could be explained with
evolution).
The problem is that great many such scales seem to exist. They make it easy to overanalyze our sense of beauty (too much data all over the
place). What is safe to say, and that's wrong in the video: I don't think that
certain art really is considered beauty at all times. Try playing jazz before a
king in the 13th century and you probably end up a head shorter. It is not even
a matter of a higher culture to like jazz, as some elitists surely like to
believe. Jazz and other arts are difficult and require some kind of special
training (which itself is not a quality argument either). Other art forms do
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