LOVE LEGENDS

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tarar786

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Mahiwal lived in a hut on the other side of the Janjan river. Every day he would swim across the river to meet Sohni. But once Mahiwal hurt himself and it was now Sohni 's turn to swim across the river for their regular clandestine meetings.

Undoubtedly Sohni was a swift swimmer but the wildness of the Janjan river could not be harnessed. She had learnt the art of selecting the best pitcher, to keep her buoyant with the flow of the water and help her reach the other side of the bank . These secret expeditions
continued for a long time. But once at the height of the rainy season, Sohni's sister-in-law came to stay at their place. Soon she learnt about the romance and how the two met at night and that Sohni hid her pitcher in a bush on her return in the wee hours of the morning.

Her sister-in-law reported the affair to her mother. Instead of accusing her openly for bringing a bad name to the family, they decided to get rid of her. Her husband's sister replaced the sturdy pitcher with a sun-dried, unbaked one. Sohni picked up the pitcher as usual and the fragility of the vessel dawned on her. Crossing the river on an unbaked pitcher meant certain death. She had no choice. The desire to meet Mahiwal conquered the fear of death. Sohni plunged into the river. As she crossed the river,the pot began to dissolve.Sohni drowned. Seeing Sohni drowning, Mahiwal jumped into the river to save her. His effort proved futile as they were found next day,floating at the surface - lifeless.



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SOHNI MAHIWAL
Sohni was the daughter of a potter named Tula, who lived in Punjab near the banks of the Chenab River. As soon as the Surahis (water pitchers) and mugs came off the wheels, she would draw floral designs on them and transform them into masterpieces of art.

Izzat Biag, the rich trader form Balakh Bukhara, came to Hindustan on business but when he saw the beautiful Sohni he was completely enchanted. Instead of keeping mohars (gold coins) in his pockets, he roamed around with his pockets full of love. Just to get a glimpse of Sohni he would end up buying the water pitchers and mugs everyday.

Sohni lost her heart to Izzat Baig. Instead of making floral designs on earthenware she started building castles of love in her dreams. Izzat Baig sent off his companions to Balakh Bukhara. He took the job of a servant in the house of Tula, the potter. He would even take their buffaloes for grazing. Soon he was known as Mahiwal (potter).

When the people started spreading rumours about the love of Sohni and Mahiwal, without consent of her parents arranged her marriage with another potter. Suddenly, one day his barat (marriage party) arrived at the threshold of her house. Sohni was helpless and in a poignant state. Her parents bundled her off in the doli (palanquin), but they could not pack off her love in any doli (box).

Izzat Baig renounced the world and started living like a fakir (hermit) in a small hut across the river. The earth of Sohni’s land was like a dargah (shrine) for him. He had forgotten his own land, his own people and his world. Taking refuge in the darkness of the night when the world was fast asleep Sohni would come by the riverside and Izzat Baig would swim across the river to meet her. He would regularly roast a fish and bring it for her. It is said that once due to high tide he could not catch fish, so he cut a piece of his thigh and roasted it. Seeing the bandage on his thigh, Sohni opened it, saw the wound and cried.

From the next day Sohni started swimming across the river with the help of an earthen pitcher as Izzat Baig was so badly wounded, he could not swim across the river. Soon spread the rumours of their romantic rendezvous. One-day Sohni’s sister-in-law followed her and saw the hiding place where Sohni used to keep her earthen pitcher among the bushes. The next day her sister-in-law removed the hard baked pitcher and replaced it with an unbaked one. At night when Sohni tried to cross the river with the help of the pitcher, it dissolved in the water and Sohni was drowned. From the other side of the river Mahiwal saw Sohni drowning and jumped into the river. This was Sohni’s courage, which every woman of Punjab has recognized, applauded in songs: "Sohni was drowned, but her soul still swims in water..."


Posted 29 Aug 2003

tarar786 says

Krishna's youthful dalliances with the 'gopis' are interpreted as symbolic of the loving interplay between God and the human soul. Radha's utterly rapturous love for Krishna and their relationship is often interpreted as the quest for union with the divine. This kind of love is of the highest form of devotion in Vaishnavism, and is symbolically represented as the bond between the wife and husband or beloved and lover.



Radha, daughter of Vrishabhanu, was the mistress of Krishna during that period of his life when he lived among the cowherds of Vrindavan. Since childhood they were close to each other - they played, they danced, they fought, they grew up together and wanted to be together forever, but the world pulled them apart. He departed to safeguard the virtues of truth, and she waited for him. He vanquished his enemies, became the king, and came to be worshipped as a lord of the universe. She waited for him. He married Rukmini and Satyabhama, raised a family, fought the great war at Kurukshetra, and she still waited. So great was Radha's love for Krishna that even today her name is uttered whenever Krishna is referred to, and Krishna worship is though to be incomplete without the deification of Radha.


One day the two most talked-about lovers come together for a final meeting. Suradasa in his Radha-Krishna lyrics relates the various amorous delights of the union of Radha and Krishna in this ceremonious 'Gandharva' form of their wedding in front of five hundred and sixty million people of Vraj and all the gods and goddesses of heaven. The sage Vyasa refers to this as the 'Rasa'. Age after age, this evergreen love theme has engrossed poets, painters, musicians and all Krishna devotees alike.
Posted 29 Aug 2003

tarar786 says

Elizabeth Barrett was born into a multimillionaire (in modern terms) family whose fortune came from Jamaican sugar plantations - worked, of course, by slaves. Her girlhood was spent very happily at the family's stately home in Herefordshire, England.

She wrote poetry from her earliest years, but at the age of 20 she began to interest wider literary circles. After the death of her mother in 1828, there followed many years of suffering and misfortune: deaths of brothers, a recurrence of her illness and the loss of the family fortune. She was a semi-invalid and nearly 40 when, miraculously, Robert Browning was allowed to visit her sick room and fell in love with her. Her widower father had forbidden his adult children to marry as he was neurotically possessive. Marry she did however - secretly - and then the couple escaped to a life in Italy. Her father never communicated with her again.


Her health recovered remarkably in the warmer, clearer air of Italy. At 43 she had her first and only child, Pen Browning. She continued writing, completing her verse-novel Aurora Leigh at the age of 50. Gradually her illness overwhelmed her. She died at the age of 55 and is buried in the old Protestant Cemetery in Florence. Casa Guidi, the Brownings' home in Florence,

Posted 29 Aug 2003

tarar786 says


When he was sixteen, Prince Khurram (the future Emperor Shah Jahan) was strolling in the Royal Meena Bazaar when he saw the beautiful 15-year-old daughter of the prime minister. Taken by her beauty, he applied to his father, the emperor, the very next day and was granted permission to marry her. It was love at first sight.

Because Moslem law allowed every man to have four wives, marriage to Arjumand (Mumtaz) was allowed though Prince Khurram had married a Persian princess.

When his father died, Prince Khurram became emperor and changed his name to Shah Jahan or "The King of the World". Mumtaz continued to be the Emperor's favorite. He built a magnificent suite of rooms for her in the palace and brought her lavish gifts. He even took her along with him on his military campaigns. It was on one of these campaigns that Mumtaz, pregnant with their fourteenth child, accompanied Shan Jahan in 1630. In the spring of 1631, Mumtaz gave birth to a girl. However, Mumtaz was not well following the birth and she died a few days later.

Following Mumtaz Mahal's death, Shah Jahan locked himself in his rooms for eight days. When he emerged he was no longer the same man who had gained the throne. He mourned her for almost two years. When her body was brought from Burhanpur, where she died, to Agra, the then capital, she was laid to rest in a temporary crypt in a garden along the banks of the Yamuna. The foundation of her mausoleum was laid in 1631.

The Taj Mahal's design combined Hindu, Persian, Turkish, and Buddhist elements in such a way that they were synthesized into something completely new. Today, the Taj Mahal has become one of the great visual clichés of our time. Although we marvel at its beauty and the story behind its construction, its facade is so familiar to us that we have forgotten that the Taj Mahal is a completely original work, totally unique for its time.



Posted 29 Aug 2003

tarar786 says

Romeo and Juliet is probably the world's most famous couple - seeking happiness despite opposition from their families.
It all began the day Old Lord Capulet hosted a great supper. This was the time when Romeo was love struck by a pretty thing called Rosaline (He had not yet met Juliet).
Of course, Rosaline hated Romeo. Thus, Benvolio told Romeo that there are more fish in the pond. A jilted Romeo was dancing his sorrows away when his eyes fell on a pretty thing.

She was Juliet, daughter and heir to Lord Capulet, the great enemy of the Montagues. Rosaline went right out of the window (or heart) and Romeo promptly fell in love with his enemy's daughter (traitor passion). Romeo had to face the wrath of Juliet's cousin Tybalt and ends up killing him in a combat (good riddance to bad rubbish!). As a result he is banished from the country.

Juliet, meanwhile, was being forced to marry a chap who, her parents fixed up for her. Fed up of all this drama, Juliet thought of a plan to get out of the mess. She intoxicated herself with some sedative and conveniently faked her own death (A storyline for a great thriller).

While she went to the coffin alive, she sent across messages to Romeo, asking him to meet her at her grave in the hope of escaping to freedom and beginning a new life together.

Romeo had been unable to receive the messages (Thanks to the messenger who never reached on time) and grief struck rushed to her grave on the news of her death. With no desire to live Romeo swallowed lethal poison and died (The messenger killed him!).

Meanwhile, Juliet woke up (Very dramatically, towards the end) only to find the corpse of her beloved Romeo. She picked her dagger and killed herself by her Romeo's side.
Posted 29 Aug 2003

tarar786 says

In April 1795, a young Corsican artillery officer, Napoleon Bonaparte, was recalled to Paris from Marseilles on the French Mediterranean coast. He had distinguished himself in a number of battles fighting for the French Republic against British and French Royalist forces. (A typical Braveheart that one gets to see only in war movies).

Soon, he fell in love with Josephine, widow of the aristocrat Alexandre de Beauharnais, a republican general guillotined in 1794 on the orders of Robespierre. Napoleon was called into service and, and on October 5, 1795, he put down a Royalist mob attacking the Tuileries Palace.

On October 9, the authorities ordered the surrender of all weapons in the districts of Paris. Eugène de Beauharnais, Josephine's 14 year old son by her first marriage, went to the young Bonaparte, by now a general, (not knowing he will play cupid between his mother and father to be ) to plead that they be allowed to keep his father's sword in memory of his service to the state. The next day Josephine came to thank him. Napoleon was beguiled by her grace and gentle charm. (mission accomplished)

Napoleon and Josephine soon became lovers. However, as a recently impoverished, pleasure-loving widow with two children to take care of -- her only assets charm and a fragile beauty was put to proper use. The couple were married at a civil wedding.
After May 1804, when Napoleon was declared emperor, Josephine's position seemed secure. But Napoleon wanted an heir to rule after him. There was none. Josephine, increasingly fearful of being displaced as the empress, struggled against gossip and foreboding (any sacrifice for power and fun).


On December 15, 1809, Napoleon had his marriage to Josephine annulled. (if done long back, it would have saved embarrassment to both ends). She retired to Malmaison, her private and best-loved residence.

Josephine died at the age of 51 and Napolean wore Josephine's favorite violets n a locket until his death, a reminder of their tumultuous love.

Posted 29 Aug 2003

tarar786 says

In April 1795, a young Corsican artillery officer, Napoleon Bonaparte, was recalled to Paris from Marseilles on the French Mediterranean coast. He had distinguished himself in a number of battles fighting for the French Republic against British and French Royalist forces. (A typical Braveheart that one gets to see only in war movies).

Soon, he fell in love with Josephine, widow of the aristocrat Alexandre de Beauharnais, a republican general guillotined in 1794 on the orders of Robespierre. Napoleon was called into service and, and on October 5, 1795, he put down a Royalist mob attacking the Tuileries Palace.

On October 9, the authorities ordered the surrender of all weapons in the districts of Paris. Eugène de Beauharnais, Josephine's 14 year old son by her first marriage, went to the young Bonaparte, by now a general, (not knowing he will play cupid between his mother and father to be ) to plead that they be allowed to keep his father's sword in memory of his service to the state. The next day Josephine came to thank him. Napoleon was beguiled by her grace and gentle charm. (mission accomplished)

Napoleon and Josephine soon became lovers. However, as a recently impoverished, pleasure-loving widow with two children to take care of -- her only assets charm and a fragile beauty was put to proper use. The couple were married at a civil wedding.
After May 1804, when Napoleon was declared emperor, Josephine's position seemed secure. But Napoleon wanted an heir to rule after him. There was none. Josephine, increasingly fearful of being displaced as the empress, struggled against gossip and foreboding (any sacrifice for power and fun).


On December 15, 1809, Napoleon had his marriage to Josephine annulled. (if done long back, it would have saved embarrassment to both ends). She retired to Malmaison, her private and best-loved residence.

Josephine died at the age of 51 and Napolean wore Josephine's favorite violets n a locket until his death, a reminder of their tumultuous love.

Posted 29 Aug 2003

tarar786 says

Victoria (Alexandrina Victoria), 1819-1901, Queen of Great Britain and Ireland (1837-1901) and Empress of India (1876-1901) was the daughter of Edward, duke of Kent (fourth son of George III), and Princess Mary Louise Victoria of Saxe-Coburg-Saalfeld. She was a lively, cheerful girl, fond of drawing and painting (There was no TV or Video).

She ascended the throne of England in 1837 after the death of her uncle, King William IV. In 1840, she married her first cousin, Prince Albert of Saxe-Coburg-Gotha.
Though Prince Albert was unpopular because of his German lineage, he came to be admired for his honesty, diligence, and his devotion to his family.

The couple had nine children (watch out!!! If administrators do so, what to talk of the common gentry). Victoria loved her husband deeply. She relied on his advice in matters of state, especially in diplomacy (but not on family planning!).

When Albert died in 1861, Victoria was devastated (she lost her diplomat). She did not appear in public for three years. However, under the influence of Prime Minister Benjamin Disraeli, Victoria resumed public life, opening Parliament in 1866 (Happy days are here again!).
Posted 29 Aug 2003

tarar786 says

Victoria (Alexandrina Victoria), 1819-1901, Queen of Great Britain and Ireland (1837-1901) and Empress of India (1876-1901) was the daughter of Edward, duke of Kent (fourth son of George III), and Princess Mary Louise Victoria of Saxe-Coburg-Saalfeld. She was a lively, cheerful girl, fond of drawing and painting (There was no TV or Video).

She ascended the throne of England in 1837 after the death of her uncle, King William IV. In 1840, she married her first cousin, Prince Albert of Saxe-Coburg-Gotha.
Though Prince Albert was unpopular because of his German lineage, he came to be admired for his honesty, diligence, and his devotion to his family.

The couple had nine children (watch out!!! If administrators do so, what to talk of the common gentry). Victoria loved her husband deeply. She relied on his advice in matters of state, especially in diplomacy (but not on family planning!).

When Albert died in 1861, Victoria was devastated (she lost her diplomat). She did not appear in public for three years. However, under the influence of Prime Minister Benjamin Disraeli, Victoria resumed public life, opening Parliament in 1866 (Happy days are here again!).
Posted 29 Aug 2003

tarar786 says

Heer was an extremely beautiful woman (A desi Cinderella ) born in the wealthy "Sayyal" family. Ranjha (Teedo) came to Heer's village in search of a job. Instead, he found love. Heer offered him the job of a cattleherder. She was soon mesmerized by the way Ranjha played the flute (Wanjli).

She was in love (Love is definitely deaf, dumb and all that). When her parents found out, Heer was forced to marry another man "Saida Khera". Ranjha was heart-broken (devdas in making ). He met a Jogi, and turned into one himself (Love is all about sainthood). As he walked around the villages, he met Heer again (Just co-incidence, you see). They escaped only to be caught by Maharajah's police.
Heer was sent to jail.

Later, Maharajah impressed by their love freed Ranjha and allowed him to marry Heer. (Maharajah was not impressed by the extreme beauty…quite unlike the royal behavior). They returned to Heer's village, where her parents agreed to the marriage. On the wedding day, Heer's jealous uncle, "Kaido" poisoned her (The typical interfering relative). Ranjha rushed to aid Heer but was too late. A heart-broken Ranjha died on her grave (what a waste !)

Moral of the story: If u have an uncle who offers you some eatery on your wedding day, return it!
Posted 29 Aug 2003

tarar786 says

One of the most famous women in history, Cleopatra VII was the brilliant and beautiful (this rare combination is kind of extinct in nature) last Pharaoh of Egypt. Cleopatra was deeply religious and studied to be a nun (on way to committing sin). An accomplished mathematician and gifted linguist fluent in nine languages, Cleopatra was also a skilled politician.

She married her younger brother, Ptolemy and became the mistress of the Roman general Julius Caesar (Cheers to immorality!). Following Caesar's death, Roman general Marc Anthony went to Egypt to advance the growing power of Rome. Cleopatra captivated Anthony (greener pastures) and their affair scandalized Rome.

Yet despite the risks, Anthony and Cleopatra married in 36 B.C. The couple planned to conquer Rome. But in 31 B.C. the Roman general Octavian destroyed the combined forces of Anthony (and no, this time Cleopatra did not extend her ambitious designs on Octavian).

So true was Anthony's love that as soon as he heard a false report that Cleopatra was dead, he fell on his sword (At least this truly showed his courage!). Lo and behold... on learning this, Cleopatra induced a poisonous asp to bite her and end her life (She was faithful at last!).
Posted 29 Aug 2003

tarar786 says
MIRZA SAHIBAN
Mirza-Sahiban, a love-lore is a treasure of Punjabi literature. It is a romantic tragedy. Sahiban was another love-lorn soul. Shayer Pillo raves about her beauty and says," As Sahiban stepped out with a lungi tied around her waist, the nine angels died on seeing her beauty and God started counting his last breath…"

Mirza and Sahiban who were cousins and childhood playmates, fell in love with each other. But when this beauty was about to be wedded forcibly to Tahar Khan by her parents, without any hesitation she send a taunting message to Mirza, whom she loved, to his village Danabad, through a Brahmin called Kammu.

"You must come and decorate Sahiban’s hand with the marriage henna." This is the time you have to protect your self respect and love, keep your promises, and sacrifice your life for truth. Mirza who was a young full-blooded man, made Sahiba sit on his horse and rided away with her. But on the way, as he lied under the shade of a tree to rest for a few moments, the people who were following them on horseback with swords in their hands caught up with them.

Sahiba was a virtuous and a beautiful soul who did not desired any bloodshed to mar the one she loved. She did not want her hands drenched in blood instead of henna. She thinks Mirza cannot miss his target, and if he strikes, her brothers would surely die. Before waking up Mirza, Sahiban puts away his quiver on the tree. She presumes on seeing her, her brothers would feel sorry and forgive Mirza and take him in their arms. But the brothers attack Mirza and kill him. Sahiban takes a sword and slaughters herself and thus bids farewell to this world.

Innumerable folk songs of Punjab narrate the love tale of Sassi and Punnu. The women sing these songs with great emotion and feeling, as though they are paying homage to Sassi with lighted on her tomb. It is not the tragedy of lovers. It is the conviction of heart of the lovers. It is firmly believed that the soil of the Punjab has been blessed. God has blessed these lovers to. Though there love ended in death, death was a blessing in disguise, for this blessing is immortalized. Waris Shah who sings the tale of Heer elevates mortal love to the same pedestal as spiritual love for God saying," When you start the subject of love, first offer your invocation to God".

This has always been the custom in Punjab, where mortal love has been immortalized and enshrined as spirit of love. Just as every society has dual moral values, so does the Punjabi community. Everything is viewed from two angles, one is a close up of morality and the other is a distant perspective. The social, moral convictions on one hand give poison to Heer and on the other hand make offerings with spiritual convictions at her tomb, where vows are made and blessings sought for redemption from all sufferings and unfulfilled desires.

But the Sassis, Heers, Sohnis and others born on this soil have revolted against these dual moral standards. The folk songs of Punjab still glorify this rebelliousness.
"When the sheet tear,
It can be mended with a patch:
How can you darn the torn sky?
If the husband dies, another one can be found,
But how can one live if the lover dies?"
And perhaps it is the courage of the rebellious Punjabi woman, which has also given her a stupendous sense of perspective. Whenever she asks her lover for a gift she says,
"Get a shirt made for me of the sky And have it trimmed with the earth"

---------------------------------

Sahiban in Exile

By Amrita Pritam
Even today, the legend of Mirza-Sahiban haunts Punjab’s folklore and songs. Mirza, like most romantic heroes, was a stranger to Sahiban’s land and belonged to a feuding clan. Sahiban eloped with him and was eager to reach his home. But on the way, Mirza the accomplished archer insisted on stopping for the night under a tree. Sahiban’s brothers were in pursuit. Fearing that Mirza would kill her brothers, Sahiban flung his quiver up into the tree. Unarmed, Mirza was killed when the brothers caught up with them. Sahiban’s ‘betrayal’ was never forgiven, and so there were no more legendary lovers in the land of the five rivers.

They also say, that this was the first time that the hero’s name was spoken before heroine’s- not as it had been in the past ..Sohni Mahiwal, Laila Majnu, Radhe Krishna..and thus there were no more legendary lovers in this land.
Her name was Sahiban. And she came visiting the ‘enemy country’. She came to see the relics of ancient monuments. And carried with her a letter requesting that she be allowed to stay for a few days. The letter was from an old friend who knew that they would be happy to host Sahiban in their home.

The parents of the family opened for her the airy guestroom, a little removed from the bustle of the living room. On the top floor of the house amidst a terrace garden in bloom, lived the son of the family.

There was tea ready for Sahiban when she arrived. After tea and pleasantries, she went to her room to freshen up. Soon, it was time for dinner. The son of the family had come down to the dining room and was arranging the flowers that he had brought from the terrace. The mother called Sahiban from the guestroom. She introduced Sahiban to her son and started laying out the meal. The family of three sat down to dinner with their guest, making small talk as they ate.

The next morning Sahiban had a cup of tea and ventured out to see the monuments and relics of this ancient city.

She would travel by bus all day, visiting one monument after another. She had brought a list with her. But she would always return home before dark and the dinner ceremony of the first evening would be replicated. There was only one change: Sahiban would always bring some flowers and sweets for the dining table. The mother asked her not to take the trouble, but Sahiban seemed to like coming back home with something for the family.

On the fourth day, there was a minor accident. The son hurt his leg while riding his motorcycle. There was no bruise, but he seemed to have pulled a ligament. He returned from the doctor’s clinic with a bandage on his leg, went straight to his den and lay down. In a few hours, the leg was so stiff that he could not raise it. His mother went up to foment the injury and give him tea.

That evening, when Sahiban returned and learned of the accident, she took the balm from the mother’s hands, went softly up the stairs and started massaging his leg. Then she gently massaged the soles of his feet to work out the stiffness. The young man was embarrassed. But her gentle touch was so soothing that he overcame his shyness.

That night, she took his dinner from his mother and went up to his room and spent the night on a settee there, in case he required any attention during the night. Next morning, she washed up in the bathroom upstairs and then came down to fetch his breakfast. After three days of tender care, the young man was up and about. He could not ride the motorbike, but he could drive the car.

He had taken a week’s leave from work when he got hurt, so he still had a few days off. There were some very interesting old monuments outside the city and some ruins too, he told his mother, and would she lend him the car to take Sahiban there?

The mother laughed in permission. She was relieved to see her son look somewhat happy. He had lost interest in women when the love of his college days did not work out. He would not consider marriage.

Two days later, Sahiban asked him if he would take her to Hardwar. She wanted to bathe in the Ganga. He mentioned her request to his mother, who had no objection. So the two of them left for Hardwar.

Sahiban was of delicate build and she was always in simple, casual clothes. They reached Hardwar late in the evening. They rented two small cottages for the night at an ashram by the Ganga. Just before dawn, Sahiban went over and woke the young man so that together, they could watch the sun rise over the river.

He was still quite sleepy, but he washed his face and went out with her to the riverbank. Sahiban gazed at the shades of red splashed across the sky and reflected in the water. She climbed down the steps to bathe in the river, fully clad.

The young man stood on the bank. He was carrying neither a towel nor a change of clothing, so he did not climb down with her. He sat on the edge and played with the water. Then he saw Sahiban standing in the water with her hands folded, looking up at the sky, as though she were greeting the sun. He stared at her in amazement.

Back in the ashram, after a change of clothes and a cup of tea, Sahiban said, "Take me to the city bazaar. I want to look in the shops."

The narrow-laned bazaars were selling river shells, rudraksha beads, scarves printed with the name of Sita Ram, small boxes of saffron and musk. The girl looked at all this in awe. All of a sudden, she stopped by a shop selling red dupattas edged with golden tassel-work, glass bangles and bridal choorhas of ivory. Holding up her wrist to the shopkeeper, she asked for a choorha her size and put it on right there. Then she bought a red dupatta and some sindoor. Surprised, the young man said, "Sahiban, what will you do with all this? You might like them, but how can you return to your country wearing all this? Even the customs officers will wonder!"

The girl laughed, "How do my arms concern them?"

He was insistent, "But what are you up to?"

Sahiban said, "These are debts that Khuda will have to pay back."

When the two returned from Hardwar, Sahiban had a dot of sindoor on her forehead and some more in the parting of her hair. The wedding bangles were on her wrists and her head was covered with the red dupatta. Sahiban glowed like a bride.

The young man’s mother stared at her, astounded. She did not say a word to Sahiban but she cornered her son alone and said, "Tell me the truth! Have you and Sahiban got married?"

"Not at all, Ma," he laughed. "Neither of us have even talked of marriage. She took a fancy to those trinkets and put them on!"

"The silly girl shouldn’t return to her country like this," said the mother, "she will get merry hell."

Sahiban was to return the next day. Her visa had run out. After breakfast, the young man took the car out of the garage to drop her at the airport. Just then a friend of his arrived. He introduced Sahiban to his friend, adding: "There’s not much time, but let’s sit for a few minutes." They sat in the living room downstairs.

"Had you come for a pilgrimage of the dargahs?" the friend asked Sahiban.

"I didn’t go to a dargah, but it was a pilgrimage nevertheless," Sahiban replied.

Then, playing on her name, he asked, "And where is the Mirza of this Sahiban?"

The girl laughed and said, "Mirza must always belong to the enemy clan, and that’s true for this Sahiban’s Mirza as well." She looked up at the young man for a moment, then lowered her eyes.

On their way out, the friend asked once again, "But this time Sahiban lacks the courage to walk away with her Mirza?"

She shot back, "This Sahiban does not want her Mirza to be killed by the people of her father’s clan." She got into the car and left for the airport.

Sahiban came and vanished like a whiff of fragrance.

The next few days passed unremarkably, full of everyday chores. Then a letter came from Sahiban, addressed to the son of the family. "Thanks ever so much!" she wrote. "Seeing you, I saw many past lives, even though it is a sin for us to talk of reincarnation. But what can I do — I actually saw it all! I seemed to recall so much on seeing you…"

And she signed off with: "Exiled from you in this life — Sahiban."

Posted 29 Aug 2003

tarar786 says
PUNNU
Sassi was another romantic soul, the daughter of King Adamkhan of Bhambour. At her birth the astrologers predicted that she was a curse for the royal family’s prestige. The king ordered that the child be put in a wooden chest with a ‘taweez’ tied on her neck and thrown into the river Chenab. The chest was seen floating by Atta, the washer man of Bamboon village. The dhobi believed the child was a blessing from God and took her home and adopted her as his child. Many, many years passed by and the king did not have another child, so he decides to get married again. When he heard that the daughter of Atta, the washer man, was as beautiful as the angels, the king summoned her to the palace.

Sassi was still wearing the tabiz (amulet), which the queen mother had put around her neck when she was taken away to be drowned. The king recognized his daughter immediately on seeing the tabiz. The pent-up sufferings of the parents flowed into tears. They wanted their lost child to return to the palace and bring joy and brightness to their lives, but Sassi refused and preferred to live in the house where she had grown up. She refused to leave the man who had adopted her.

Sassi did not go to the palace but the king presented her with abundant gifts, lands and gardens where she could grow and blossom like a flower. As all the rare things of the world were within her reach she wanted to acquire knowledge and sent for learned teachers and scholars. She made sincere efforts to increase her knowledge. During this time she heard about the trader from Gajni, who had a garden with a monument, the inner portion of which was enriched with exquisite paintings. When Sassi visited the place to offer her tributes and admire the rich art, she instantly fell in love with a painting, which was a masterpiece of heavenly creation. She soon discovered this was the portrait of Prince Pannu, son of King Ali Hoot, the ruler of Kicham.

Sassi became desperate to meet Punnu, so she issued an order that any businessman coming from Kicham town should be presented before her. There was a flutter within the business community as this news spread and someone informed Punnu about Sassi’s love for him. He assumed the garb of a businessman and carrying a bagful of different perfumes came to meet Sassi. The moment Sassi saw him she couldn’t help saying," Praise to be God!"

Punu’s Baluchi brothers developed an enmity for Sassi. They followed him and on reaching the town they saw the marriage celebrations of Sassi and Pannu in full swing, they could not bear the rejoicing. That night the brothers pretended to enjoy and participate in the marriage celebrations and forced Punnu to drink different types of liquor. When he was dead drunk the brothers carried him on a camel’s back and returned to their hometown Kicham.

The next morning when she realized that she was cheated she became mad with the grief of separation from her lover and ran barefoot towards the city of Kicham. To reach the city she had to cross miles of desert land, the journey that was full of dangerous hazards, leading to the end of world.

Her end was similar to the end of Kaknoos bird. It is said that when this bird sings, fire leaps out from its wings and it is reduced to ashes in its own flames. Similarly Punnu’s name was the death song for Sassi who repeated it like a song and flames of fire leapt up and she was also reduced to ashes

Posted 29 Aug 2003

tarar786 says
Funeral Mourning

Probably painted by Shaykh Zadeh
From a Khamsa of Nizami, 1494 in Herat

You can feel the grief in this wonderful funeral scene. Women and men mourn openly and passionately for the death of Majnun, Laila's husband.

The story of Laila and Majnun is a tragic love story similar to Shakepeare's Romeo and Juliet. Nizami, a famous Persian poet, wrote a poetic version of the old tale, and it was illustrated many times by Persian miniature painters

Laila and Majnun are from different clans of the Arab nomads, but fall hopelessly in love. Through many trials and tribulations, Majnun goes insane (his name means "crazy" in Arabic) and wanders in the desert with the wild animals. As I remember the story, despite being befriended and fed in the desert by the wild animals, Majnun gradually dies of love-sickness. His body is discovered and brought back to his clan, where great mourning for his death ensues.

This is a simple and beautifully understated painting. I like the subdued colours of the mourners' clothes and their expressive poses. The tragedy and regret of the mourners is conveyed through their weeping and tearing of hair and clothes. I think its an excellent example of Persian painting that is a subtle masterpiece.

The city of Herat in the years of the Timurid dynasty was the centre of Persian painting in the Iranian area. The Timurid princes, particularly Shahrukh and Baysunghur, were cultured patrons renowned for their artistic tastes. Artists, poets and thinkers from across the Islamic world congregated in its major cities.

Many of these artists, including the incomparable Bihzad, moved to the new Safavid capital of Tabriz when that dynasty took over most of Iran in the early 16th century. There the golden age of Persian painting flourished for the next century.
Posted 29 Aug 2003

sharara says
this is a masterpiece.. amazing work. i applaud u for it..
keep it up...
Posted 01 Sep 2003

Cute_gal says
g48 info....
Posted 01 Sep 2003

PumpKin says
Nice story!

First read the story then look at the picture!!!
This is a love story between a fisherman and a princess. Once upon a time in Marmaris, somewhere in the southern coast of Turkey, a fisherman and the daughter of a King fell in love.However, like all of us know, the love between a fisherman and a princess simply would not get the blessings of her father. Because of this, they would meet secretly at nights. But the old King soon learnt about his daughter's nocturnal trysts. One night, he asked his soldiers to follow her. The soldiers returned and informed the King that every night the princess would leave the palace and go to a small bay out of town. She would signal to the fisherman at the other end of the bay by flashing a light and he would come to that light to find her. The King then ordered his soldiers to set a trap. They followed the princess, caught her and flashed a light to entice the fisherman. The princess managed to escape from the soldiers and ran as fast as she could to warn her lover. She realised though that it would not be possible to reach the fisherman if she were to run along the beach, so she thought she would swim. A miracle happened. Wherever she stepped into the sea, the water turned into sand; and the sand turned back into water whenever the soldiers followed her. But, as she was reaching her lover, a soldier's arrow meant for the fisherman struck her, killing her instantly. The people of Marmaris say that when the blood of the princess get mixed with the sea water, it changes the colour of the sand.
Now look at the picture.

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Posted 01 Sep 2003

Night says
Why its always Sad Stories..........
Posted 01 Sep 2003

Night says
This is ma Story

Story of "The Butterly Lovers"
Sam Pek - Eng Tay

Sam Pek = Liangshan Bo
Eng tay = Zhu Yingtai


It was in the fuedal China hundreds of years ago, when love as young people's own choice was considered to be devious from the norm of the society. However, two young people fell in love, and in a very dramatic way. Having been close friends at school, the young man, Liangshan Bo would never imagine that his pal Zhu Yingtai should turn out to be a fair lady when they were back home after finishing their school. As a matter of fact, in those days, the sphere of activity of women was none other than their homes. In order to receive education as man did, the aspiring and rebellious girl had disguised herself as a boy.

But their love plunged them into fatal tragedy. Unlike Juliet and Romeo whose family feud prevented them from coming together, the social prejudice of the day set them apart. The girl's family, seeing that the boy's not as affluent as theirs, decided to marry her to a wealthy man she did not love and in fact had never met before. What was worse, they lied to her poor lover that she had died of a serious illness, upon which he pined and killed himself. To protest the unjustice she decided to join her lover in another world. She pretended to agree to the arranged marriage but on condition that the wedding procession must bypass her lover's graveyard. They were coming along when she all of a sudden jumped out of the sedan chair and threw herself into the tomb that had just timely opened up of itself as if to receive her. What people saw next was a pair of beautiful butterflies flew out of the opening, dancing happily here and there in the free air. Unto this day people still believe that the two butterflies were the undaunted spirits of the young lovers. Hence the legend of "the Story of Butterfly Lovers".


Posted 01 Sep 2003

Rain Man says
Great
Posted 01 Sep 2003

PumpKin says
how great your love story Ayesha Khan???
Posted 02 Sep 2003

Rain Man says
meri love stoy tab shuru hogi, jab koi larki milegi...let me find that girl first...[8D]
Posted 02 Sep 2003

PumpKin says
well..well..well... you can post it here .... Ayesha Khan Luver looking for LOVE...heheehehe.... BTW you got the star.... 1000 post finally.... congratzzz.... okey.....

Good luck!
Posted 02 Sep 2003

tarar786 says
quote:
Originally posted by sharara

this is a masterpiece.. amazing work. i applaud u for it..
keep it up...

Thanks Sharar ji
Posted 02 Sep 2003

tarar786 says
Thnaks for all of u for sharing ur feelings
Posted 02 Sep 2003

tarar786 says
This short love story is an attempt to challenge the love story medium with unconventional characters and humour. It evolved from the Stella and Sortini love poem. Watch this space for more adventures.
short love story: Stella and Sortini, Urban Legends
Little is known for certain of the early days of Stella and her Sortini but within our small town a legend has passed from mouth to ear, perhaps via the brain, and back to mouth again in the form of a rumour. I'm not disparaging the town's folk at all when I say, they are mothers of invention. They have a tendency to gloss over real incidents and gossip about completely trivial affairs with a great deal of zealous verbosity. It's been argued that this reflects a certain cowardice on their part. That they desire to appear moral, and so require scapegoats, that they, however, lack the moral courage to go with their convictions and so tend to snipe mercilessly at the weak and harmless.
Now I hear you say, 'Weak and harmless? What has this to do with those nutters Stella and Sortini?' And well you may ask, but it has to be noted that this story did not begin to circulate until they were both dead, or at least most of the way there. It's hard to say with any degree of certainty how much Smiler contributed to this myth. It reeks of his input, but who knows? Perhaps Smiler had nothing to do with it, maybe it's all true, or based in truth? Though it does strike me as the type of story with which Smiler would while away an idle afternoon at The Jackal.

According to this legend Sortini was not even Italian. Sortini was in actual fact a Traveler. The myth has it that he'd managed to seduce and make pregnant altogether the wrong person's daughters, they were identical twins and quite unbeknownst to Sortini, or so it's said, were sharing him as their lover. All this emerged in some caravan or other, when Sortini, covered in his own blood, was trying to explain how he'd been duped.

'Yeah, okay, right, I went behind your back and probably shagged both your daughters.'
The Wrong Person roared in response, 'Went behind my back did you? Probably, probably, shagged both my daughters did you?' These questions were, of course, best left unanswered and were punctuated by blows of the most dire sort. The Wrong Person was not a young man these days but he still packed a substantial punch and had his two sons to help. They were holding Sortini up by his armpits, squeezing tightly, and were far from adverse from adding the odd jab to Sortini's ribs, for good measure. Anyone who knew Sortini knows it was pointless trying to bash him in the head, it was simply too hard, you could break a pool cue on it and achieve nothing more than angering him. However, his ribs were more or less those of an ordinary man.

It's The Wrong Person I feel the most sorrow for in all this. One shotgun wedding was feasible but how could Sortini conceivably marry the two girls at once? Of course, one of them would have to be married off to some useless buck-toothed article, there was all that to arrange too, what a headache! At his time in life, with everything else to manage, he didn't need this. To make matters worse the daughters had fallen out with each other and their family too. Each claimed that Sortini was her true and that her sister had blackmailed herself into allowing the liaison with Sortini. Each twin sang the same tune, 'She's a liar, and a jealous slag! She said if I didn't share him with her she'd tell you!'

All these events were unfolding in different parts of the field but each participant in the love triangle was aware of the shouts of the others. Each twin was held in a separate caravan but Mary managed to escape and made it to within two hundred yards of Sortini before being rugby tackled by her Aunt. From underneath her Aunt, Mary called out plaintively to him, 'Don't worry, we'll be together, just you see, we'll run away together.' She was only able to say this because her Aunt, knowing her to be pregnant, was treating her with kid gloves: she wasn't bouncing up and down on her and bore most of her considerable bulk on her legs and arms.

Both the twins were being subjected to the most heinous of interrogations as to the nature of their relations with Sortini. Their mother lead one posse of women, dealing with Ruth, and the trusted Aunt dealt with Mary. Every so often there would be a shuffling about of these matriarchs. The mother would tire of the impasse she'd reached with one daughter and lead her gaggle of women to the other caravan. There they'd exchange hostages and the Aunt and her gang would be left with their new charge. The twins would catch sight of each other at these times, this was no accident but intended by the matriarchs, and there would be terrible name-calling. The men beating Sortini would pause and listen intently to the catcalls. It's said Sortini winced more at the noise of them than he did under the blows of his captors but it's doubtful this is true.

The male members of the other families camped nearby watched all this with great amusement, while mothers not privileged to be directly involved used the whole event as a stern lesson for their young daughters. These same daughters who found it very exciting and even a little romantic but humoured their mothers with presences of self-righteous shock and touching naivete.

The story also goes that the young Sortini was a very handsome devil and there was an element of voyeurism in the interrogations at the hands of the women. When this and the last detail are taken into consideration you can see how the proliferation of this rumour can be attributed to Smiler.

Although such questions wouldn't get the job done the women also asked them anyway, 'How could you do that to your sister? Threaten her and steal her man? How come you got pregnant? Have you no shame? You tart!' This was said just as it had been to the sister before. Though Auntie and her women were far more interested in the specifics and actual mechanics of the whole thing, 'Where did you meet? How often? ...No, I mean how often did you do it when you met?'

Those poor girls, but their ordeal was as nothing compared to Sortini's. His guilt had been conclusively proven but that didn't abate the interrogation. The father wanted to know which of his two girls was the bad seed. Which had blackmailed the other, Ruth or Mary? The blackmailer would be married to whichever buck-toothed article would agree to the union, knowing, or not knowing, that she carried Sortini's child.

Sortini was continually drunk and simply couldn't tell the difference between the twins. He'd been like a pig in mud, he hadn't stopped to question the miracle of abundant sex.

For the first day of his interrogation he refused to say anything at all to the men. He remained defiant even when they despaired of scraping their knuckles on his head and let in his own Aunt to try to reason the truth out of him. By the time the second day of his questioning had ended, his mock execution was staged that day, his mind was so addled that it seemed any information it once contained might be lost permanently. He just kept repeating, over and over, 'Who are you? Got any drink?'

Unbeknownst to The Wrong Person, Sortini's Aunt had now busied herself organising a rescue attempt. Perhaps Sortini sensed this and was playing for time?

The Wrong Person decided to put the interrogation on hold until Sortini came to his senses. Sortini was locked in a horsebox and The Wrong Person's sons took turns guarding him. Word had also been sent to The Wrong Person's oldest and most terrible son, who would no doubt arrive soon and join the inquisition.

However, it's said Sortini's family arrived in the dead of night, his Aunt at their head, to rescue him. After that the matriarchal guard placed around The Wrong Person's daughters was doubled, all those scrawny women previously excluded suddenly found themselves with a purpose.

Meanwhile the scandal entered a new phase characterised by negotiations. Faced with another of his ilk, in the shape of Sortini's father, it seems that The Wrong Person did not actually consider Sortini too bad a match for either one of his daughters: as he explained to Sortini's father, 'Whoever he marries will be a lot better off than the other I marry to the first lame duck buck-toothed ba***** who'll agree.'
'At least with two pregnant daughters you know he's not firing blanks,' Sortini's father replied, less than tactfully, as was his wont.
'Ya f**king ba*****!' The Wrong Person's son Terrible had arrived by now. The Wrong Person also resented this inappropriate attempt at joviality but remained calm; merely saying, 'There's still the matter of honour.' He had a beady look in his eyes.
Sortini's one eyed father squinted at him inquisitively and stroked his sideburns as he replied, 'Honour?'
'Yes, there's been a slight, your son will have to fight my eldest, bare knuckled, usual rules.'
'What's the prize?'
'It's too important a matter for money, although they'll be a book.'
Sortini's father added, 'Undoubtedly they'll be wagers.'
'Yes, but the prize itself, if your son wins you can choose his bride, if my son wins, I choose.' The two fathers shook on it and agreed the fight should take place in two weeks, which was regarded as ample time for a man like Sortini to fully recover from the injuries so recently inflicted upon him. He was already walking about and asking for drink, though he had no idea who or where he was yet.

Sortini, once he regained some of his lost faculties, had different plans. Until he was blue in the face he protested, 'I don't want to marry anyone, I don't want to be a father!'
'You should have thought of that before you took your pants down son, there's no choice now, the family's gotten involved,' his father told him.
'I didn't ask to be rescued,' Sortini protested.
'Yes, but you were rescued anyway, stop your whining!'
'But look at the mother, Dad, and the Aunts,' Sortini stammered, 'they're all like elephants, and the father... I don't want to wake up every morning with either of those two, they're going to balloon just like all the others.'
'Yes, they'll balloon, you made them pregnant you idiot.' So, Sortini's pleading was to no avail.

His family ensured he was kept drunk so that he'd not be tempted to escape, they couldn't watch him all the time so they kept him well supplied with alcohol, which was tantamount to chaining him to the spot. If he didn't turn up at the fight and the wedding they'd lose a lot of face.

Eventually the momentous day of the fight and wedding rolled around. Everyone, except the tourists purely there to gawp, was dressed in their best clothes. The Wrong Person's twin daughters made an extra special effort and were still refusing to speak to each other, both insisted they'd be the one chosen by Sortini, who they blindly expected to win. All the women wore bonnets. There were flowers and alcohol everywhere and people had come from far and wide to see the spectacle.

Among the onlookers that day were also a lot of buck-toothed ba*****s. They were like cock-eyed sharks that had tasted the minutest drop of blood in the water and flocked to gawp at the young women. It was uncanny, as if they somehow knew that one of the twins would soon drop from the heavens into the arms of some lucky man of their unfortunate kind. The twins avoided direct eye contact with all of them, in the worst cases this simply wasn't physiologically possible anyway: so askew were they.

Sortini though had formulated a plan of his own. He had a loyal little kid he used to pass through open windows when he went out thieving, he sent this urchin off to Stella to arrange a meeting. He slipped away at the appointed time to meet her at a nearby Church. Stella was late and found him pacing in an aG**ated state.

He'd gathered every penny he could lay his hands on and gave it all to her before they even kissed. He was very jittery and Stella could tell something was wrong. 'Stella,' he said, with his usual frankness, 'I've messed up.'
Stella remained calm, more intrigued than concerned, 'What, darling, did you hit another policeman?'
Despite the gravity of the situation they both laughed, then they kissed passionately. They were in each other's arms, on the grass in the graveyard, hidden behind the tombstones, when he explained, 'It's worse than that, what I've done, I've got some women pregnant, there's to be a fight, then I'm to be married.'
'That's not so bad darling, you can still slip away to see me, no?'
'No, well, yes, but I don't want to be married, I don't want to be a father and have screaming kids, fat Aunts, a buck-toothed cock-eyed ba***** of a brother-in-law and a nagging wife and the wrong person for a horrible father.'
'Oh dear, then we'll elope!' Stella was very excited now, she had always liked the idea of eloping, ever since she was a kid. It was all a game to her, this affair with Sortini. 'Yes, we'll elope later, but first I've got a plan for us to run away together. I need your help.' Stella didn't say anything, she just grinned, which was as good or better than her actually saying yes: since sometimes she said yes when she meant no (and vice-versa).

Sortini explained his situation and his plan in detail. He was to make a good show of the fight, for his family and for the sheer pleasure of thumping Terrible, but he was going to do what would have previously been unthinkable: he was going to lose. He wanted Stella to take the money and bet it all against himself at the last minute, on the actual day, her presence at the fight was vital. With ten days to go before the fight he was going to give up drinking and go into serious training so as to considerably increase the odds on a bet against his victory.

He would deliberately allow himself to be knocked unconscious, he intended to head-butt his opponent's best punch to ensure he would be. At that point, he speculated, he'd be dragged off, locked back in the horsebox and left alone. Stella was to steal a car and hitch the horsebox to it, then he'd be free. Stella listened to the plan eagerly and thought it devilishly cunning and exciting, she'd seen lots of people steal and drive cars and it didn't look too difficult. She readily agreed. 'Look on the bright side,' she said, 'at least if the plan fails we'll have a car, a horsebox and a lot of money.' Sortini merely squinted at her quizzically and then they made love.

As Sortini had anticipated, nobody questioned the presence of the stranger Stella, in her best floral dress, at the fight come wedding. She presented an odd character though: she was almost crane like, skinny in her build, especially in the legs, she seemed to strut through the mud with a very birdlike gait, like she was born to paddle in it, her shoes plastered in the stuff and her dress flapping in the wind. She drew plenty of stares, she was used to that, being six feet tall and so crane-like in her movements. Everyone assumed she was a sister of one of the buck-toothed suitors come to check out the twins.

She had arrived early but soon forgot all about everything, how she loved a wedding! She couldn't resist entering into the spirit of things. She went about chatting with people and soon found herself among the entourage surrounding the twins, hobnobbing, much to Sortini's terror, with the would-be relatives and discussing the merits of the two fighters. 'Ah, he's good,' The Wrong Person told her, 'but not as good as my son.' She was introduced to Terrible and shook hands with him. 'How gentle you are for such a strong man,' she thought to herself, 'why, you remind me of my beau.' At that point she suddenly awoke to her purpose and remembered it was her job to ensure there wasn't going to be any wedding. She got The Wrong Person to explain the betting system to her and touched him deeply when she said she wished to put all her money on his son. He even placed the bet for her.

That's when she saw Sortini, for the first time in ten days, for the first time ever off the drink. How wonderful he looked, shirtless, his battle-scarred hide revealed to all and his thick black hair greased back in preparation for the fight. She climbed atop a car like it was her own, which it soon would be, for a better look. She forgot herself again and waved at him. He looked away from her indiscretion, he was terrified! A small group of buck-toothed suitors gathered about the car and started to look up her dress. It's said, almost certainly by Smiler this, that she never wore underwear.

The fight began and lasted round after round. Stella felt every blow that landed on Sortini in her soul, but he was giving as good as he got and Stella started to wonder if he hadn't forgotten his own plan, 'You sweet daft plonker,' she thought. Eventually, by this time she'd lost count of the rounds, Sortini's head butt landed and he was dragged off. From her vantage point she could see him being deposited in the horsebox. Everything was running like clockwork. She was helped down from the roof of the car by an eager throng of buck-toothed individuals gathered below.

When the suitors saw her in difficulties with her car there were plenty of volunteer helpers. Stella picked the least cock-eyed as her driver and there were others eager to hitch the horsebox up for her. It was as if some instinct told them that two maidens were going to fall from the heavens into the arms of two lucky buck-toothed articles that fateful day.

This, so it is said, is the reason why Sortini largely remained indoors and was so incoherent for the rest of his life: he wasn't really Italian at all, but a Traveler hiding out from two families. I think it's likely this whole story is an invention on the part of Smiler, with more than a little help from the Italian community: keen to cleanse their lineage of Sortini post-mortem.
Posted 02 Sep 2003

Rain Man says
Thanks Pumpkin...didn't know i was gona get a star that fast...
Posted 02 Sep 2003

PumpKin says
tarar : mmm...where's the pic of stella and sortini ?
ayesha : ur welcome
Posted 03 Sep 2003

Night says
yeah... woh... my love story soon will be a legend too :P
Posted 03 Sep 2003

love legends....errrrrr...we have a lot...
I'll post it later.
Posted 04 Sep 2003

tarar786 says
quote:
Originally posted by PumPkin

tarar : mmm...where's the pic of stella and sortini ?
ayesha : ur welcome

U may post if u have
Posted 06 Sep 2003

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