However, it has become increasingly difficult for students to stay afloat. They are easily overwhelmed by the sheer number of options, lose focus and require guidance. The following ten categories give beginners a way to organize their learning. Teachers may also find helpful ideas to add to their toolboxes. It is important to proceed judiciously.
Take the time to repeat new exercises on steel tongue drum and play them at different tempos. Go for mastery over scratching the surface. Eliminate all distractions, get on with your goals, and you'll soon see tangible results and how every strand is interconnected. Whether or not you decide to have a mentor guide you through this process, you will ultimately need to inspire and motivate yourself. Who knows? If you keep this up, we may soon be writing about you in this magazine.
Tips for playing the drums
1. HAND AND FOOT TECHNIQUE
Grip an easy way to find your grip is to stand with your hands at your sides. Using your left hand, place the stick in your right hand. The flat part of your thumb should make contact with the stick and the remaining fingers then wrap naturally.
Repeat the procedure, placing the other stick in your left hand. Hold the sticks slightly back from the actual balance point (the middle) of the stick. When using the combination grip, it is common for the butt (back) of the club to make contact near the bottom of the inside of the hand.
2. LEARNING METHODS
Heel Down vs. Heel Up In the heel down technique, the entire bottom of the foot remains on the pedal board while the lower leg and ankle push down. This technique allows the beater to easily bounce off the head, producing a more resonant kick drum tone. In the heel-up technique, the heel is lifted slightly off the pedal board, while the ball of the foot remains.
With the heel up, it's easier to bury the beater (let it stay on the head), giving off more attack and less resonance. This technique uses the larger muscles of the upper leg and hip and can produce extremely powerful strokes.
When using heel down, beginners often have trouble keeping their toes from coming off the pedal; and using their heel up, they often lift their entire foot off the pedal and stomp on it. Raising the kick pedal does not provide any mechanical advantage and can lead to long-term control problems.
3. TIME AND RANGE
Songs Let's face it; Percussion is mostly used for accompaniment. Our job is to help get the message across and support the song. Although there are many excellent accompaniments available, cardio drumming to music that includes both the vocal melody and the lyrics is invaluable.
Obviously, many more beats (and songs) could be added to this list. Some of the tempos are too fast for some beginners. Speed reduction programs, available as applications or software for your PC, are highly recommended to help with this problem.
4. COORDINATION
Ostinatos drum set coordination can be a terrifying prospect for beginners. One way to develop coordination is to use ostinatos (continuous patterns). The idea is to make one or more of your limbs work repeatedly so you don't have to think about that limb as much.
5. PATTERNS AND RUDIMENTS
Beginner's List The following rudiments are relatively easy for beginners to grasp: one-hit spins, two-hit spins, single paradiddles, multiple bounces, five, six, seven, and nine hits, flams (including power flams), flam accents, taps flams and triplets from the Swiss Army.
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