Age: 124
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well....luv (rather i wud call it ishq) between a Syed Zada and a Marasan has been shown. For the first time in Pakistan i have seen real luv being picturized and directed so well...cant be compared with choorian...choorian was a typical commercial effort by Syed Noor....its kinda semi art movie....although there is some bloodshed in it....but still...u cant call it a commercial movie.....you better watch it yourself
Age: 124
7621 days old here
Total Posts: 434
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Ep Rocks...they are different....but fawad has left the band....he is in Rubberband now...wots gonna happen now? r they gonna release any new album now?
Age: 124
7621 days old here
Total Posts: 434
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Location:
Pakistan, Pakistan
i like all types music..all it needs to be is GOOD...
by da way.....Rock (hard / soft), metal, alternative rock / metal wagera wagera are my favourites ... i like the new genre of metal i.e. Linking Pak and EP style (metal & rap Mix). my fav are; none other than Junoon Strings, Fuzon, EP, LP, Nirvana, Pink Floyd, Leadzaplin, Call (latest rock sensation, espcially their songs Shayad, Jilawatan and Sab Bhula Kay), Noori, Aaroh, Avril Levigne etc etc...
Age: 124
7621 days old here
Total Posts: 434
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Location:
Pakistan, Pakistan
they were great...they are great and they will be legends forever...no matter they produce good music anymore or not....i still luv em...the music that they have done is enough for me....best rock band in Asia...they actually introduced Rock in Asia...how can they be moved from their legend status...
well done junoon....keep up the good work...we want you to rock this world
Age: 124
7621 days old here
Total Posts: 434
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Location:
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it's got diff lyrics but it's a rip off for sure...music is all about tunes...not lyrics....mixing sh*tt lyrics with an already hit tune is disgusting...!!
Age: 124
7621 days old here
Total Posts: 434
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Location:
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kukki..there u go again...from ur own site.. http://www.talkbollywood.com/index.php?showtopic=16037
Jal's 'Aadat' and Abrar-ul Haq's 'Bheega Bheega sa ye December hai' ..Copied for the film chocolate
they have copied Pakistani songs in remixes too like Mera babu chail chabeela,Tu mila tu mili aisi ,Jia Beqarar hai aayi bahaar hai,Lathe di chadar Uthe saleti,Mera long gawacha,Chandni Ratein sab jag soye hum jagein etc etc Recently copied "agar tum mil jao" for film Zeher
'Bheege Honth Teray' a direct lift of Najam Shiraz's song 'Menu Teray Naal' became the hottest ballad in India for the year 2004, the credit for which went to India's 'great' music director Anu Malik. The debut singer Kunal Ganjawala won awards everywhere. Murder got unprecedented hype and apart from Mallika Sherawat's assets it was more about the music than the movie. And 'Bheege Honth' owed everything to a Pakistani song.
Hadiqa Kiyani, who with her brother Irfan Kiyani spends days and months coming up with music for her songs. But she wasn't spared from this outburst of so-called inspiration. In 2001, Hadiqa's album, Roshni was released. One of the songs from the album 'Boohey Baariyan' was imitated by Indian musicians. For the 2002 movie, Hum Tumhare Hain Sanam, this Hadiqa tune was copied and used as the title song for the film, which was picturised on Shahrukh Khan and Madhuri. Second, the song was copied in the film, Dil Hai Tumhara, which was released in the year 2002. 'Dil Laga Liya Maine' as the song was known, was picturised on Preity Zinta. No credit was given to Hadiqa or her musicians, who came up with this beautiful melody.
Another example is Shazia Manzoor, famous Pakistani singer of Punjabi folk music, who seems to be experimenting with her music, to create variation and diversity in her songs for the audience. The Indian movie, Asambhav was released in the year 2004. One song from this film 'Koi Aayega' picturised on Priyanka Chopra is yet another copy of her song, namely 'Mahi Aave Ga' which she sung in 2000. Another Shazia Manzoor copy is the 2001 blockbuster hit 'Shava Shava' from the much hyped Kabhi Khushi Kabhie Gham. The slower passages in the middle of the song that goes, 'Dekha Tenu Pehli Pehli...' is a direct lift from Shazia Manzoor's track 'Batiyan Bujaye Rakhdi'. Shazia's original track was part of her 1999 album, Chan Makhna. The original is an energetic and upbeat track while the movie version is slow and mellow. No one can imagine a Karan Johar flick would have a copied song in it, but it does.
It is hard to grasp for anyone, that even Pakistani movie songs can be copied. One example can be the local flick Ghar Kab Aao Gey, which released in the year 2000. A song from this film 'Dil Ke Badley' was lifted and used in the film Zameer in the year 2003. The melody and the lyrics are almost the same with a few minor details changed. The song 'Dil Ke Badley' remained unrecognized, until it went to India as the creation of Indian musicians.
Another local song to influence our Indian music directors was Nusrat Fateh Ali Khan's 'Yeh Shaam Phir Nahi Aayegi', from the album Sangam. This album came out in the year 1996 and was a joint venture between Nusrat Fateh Ali Khan and Javed Akhtar. In 2003, the song was lifted and heard again, in the Indian movie, Market. The Indian version was known as 'Hum Pyaar Tera Jo'.
Vital Signs, the ex-musical group, were one of the greatest artists to hit Pakistan. They were one of those evolutionary bands to bring pop culture to our generation. They kept improving with each album. Their third album, Aitebaar, which came out in the mid-nineties, was a smash hit. One of the most successful singles from the album 'Woh Kaun Thi' became a chart-topper. Years later, it is still not forgotten. In 1997, a lesser famous Indian artist Jojo copied this particular song. This JoJo song is also called 'Woh Kaun Thi'; the only difference between the two songs is the alteration of lyrics by Jojo.
Another Pakistani artist to be copied was Abrar-ul-Haq. He made his debut, with the song 'Billo Dey Ghar' and became a sensational hit all over the country. This successful single by Abrar, was in 1997, lifted and updated by Indian composers for the movie Ziddi. 'Kammo', as this song was known, starring the macho man, Sunny Deol was a huge hit. Not surprisingly, most people failed to recognise the uncanny resemblance between the two songs.
Age: 124
7621 days old here
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well sorry to all Lollyfans here..coz i m gonna post something dat doesnt belong to lollywood...its for Kukki actually...
Two men in the eastern Indian state of Orissa have been explaining why they locked up a woman in the family for years in a single room. Officials say the 43-year-old, Annapurna Sahu, had been locked up for more than 25 years.
The father now says she was locked up only for four years.
Her brother said they confined her because her "mad behaviour" put off women who might have married him. She was released earlier this week.
'No clothes on'
The father of Annapurna, Brajobandhu Sahu denied that he and his son had treated her inhumanely.
The brother, Ganeswar Sahu, told journalists that his chances of marriage kept falling through because of his "mad sister who would walk up in front of the visitors without any clothes" on.
Annapurna was confined in an abandoned outhouse - only a few feet high and without proper flooring.
The family said she was not mistreated and was given food and water regularly.
Eyewitnesses present during the rescue operation in the town of Dhenkanal, 100km (62 miles) from state capital, Bhubaneswar, said Ms Sahu was living in inhumane conditions.
She was reportedly naked when she was found.
The outhouse was only a few feet high
On Friday the brother said she had to be segregated from the rest of the family after she started abusing others.
He mother said Annapurna had dug up the floor of her small room.
Following her rescue, Annapurna Sahu was taken to a hospital in Dhenkanal.
Surendra Mohanty, the doctor treating her, said she had shown signs of improvement since she was admitted.
She was due to be given a detailed examination of her mental state on Saturday, the doctor said.
District magistrate, Usha Padhi, said Ms Sahu would later be shifted to a rehabilitation home.
The cost of her treatment would be paid by the district unit of the Red Cross, she said.
A counsellor from an NGO attending Ms Sahu said she appeared to be weak and emaciated.
Pallavi Nanda, of the Maharshi Dayananda Saraswati Service Mission, said Ms Sahu was taking food and was responding to questions normally.