o my god babe .....get a life .....i can undertand if its shahrukh or saif or salman or hrithik or akshay or fardeen .......but some khote ka puttar angad from some flop soap opera ....gimme a brrrk

yea ...dont encourage piracy man ............

oh they are both so young and highly educated .

the songs take time to catch on ...but on the sliver screen they d sizzle cause they d be picturised spectacularly. my fav is salaam namaste dhol mix. it l rock indian nite clubs and discos for the days to come.

its our industry dude ...u have no idea what the movie culture is here...and everything asscoiated with show biz.... people are pretty clued in ...we r a celebrity driven society and we make sure we know their various nuances .   

oh its happening....

Angadlover said:

behave kukki Angad is my love main us k baray main kuch galt nahi sun sakti woh winner hai aur inshallah mera husband bhi.

wow what a soap opera!!!!!!!!!!

srk would rock as the done. and farhan akhtar is a genius just like his father . their combo would rock and it s a movie that has plenty abuzz for it . srk is on a roll . from winning the best outgoing student of the st. columbus school to pretty much givin hits all thru his career to making movies to bein the brabd ambassadors to a variety of national and international products ...to bein awarded the padamshree by the govt. of india . he s prolly the most recognizable face in the world right now . good goin my fellow delhi iite. i love u

oh it will....i know that srk and aamir are not the best of friends and they have their own crew they hang out . srk with karan and adi and juhi and zeeyad . aamir with maddi and ketan and rani and madhuri . srk is highly busy while aamir does one film at a time . i dont think there would be a problem with their dates cause all they have to do is coordiante srk's dates cause aamir would do just that movie at that time. it ll be that simpe......oh yea for the three parts bobby bedi would have to pay like 25 crores to each of em cause paying em would be big part of the budget cause they come pretty expensive individualy . srk takes about 8 creores for a movie while aamit takes 7 . after mangal pandey his stock will rise more and he ll charge prolly close to 9 . multiply both these figures by three and add . and this is just white money that they pay taxes on ...movie stars take much more than whats announced so u get the picture. its a mind boggling amount . this trilogy is in scripting stage and the first part wont come out till say late 2006 or early 2007 .

its not gonna happen . might as well forget about it .

black...page 3......waqt.....sarkaar....maine pyaar kyu kiya......paheli.......bunty aur babli....parineeta......dus.......kaal.....lucky....kya kool hai hum.
thats all i remember

everyone in the real world is ....cinema watchers know that rakesh roshan makes big movies and his movies are absolutely guaranteed to get a big initial .

who watches em ???
lol

ho ho ...hilarious ....wonder how someone could be interested in a loser like that idiot who looks like a mohalle ka hero . get over this cheapster

saare ke saare pirates hai yaha par ..koi kaam to respectful karakaro. kaha kaha beizzati karaoge. tum jaiso ko apne mulk ki izzat ka koi khayal nahi hai. pakistan is # 1 in piracy right now and is blasted by world press time and time again .

[N.T.G said:

] why dus suxx...
1.ATC does not exits
2.Canadians are not dependent on indians for BOMBs disposal
3.How many indians are there in canada police?
4.heroins were just used as showpiece
5.the story was comedy of errors
6.direction was bullsh*t
7.editing was at its worst
8.stunts were too much overrated..for example the dropping of handgrenade by jayed khan on car.
the stupidness of the movie was reflected when i saw the first scene.. Jayed khan difuses the BOMB below the car WHITHOUT wearning any protection???

i know that almost all the movies in bolly contains these bullsh*t but dus was expected to be different.

the film only worked coz for the brilliant brillinat outstanding song-> DUS BHAHABNE...

hahaha this guy is forgetting the basic prinicpleof movie watching which is accepting fantasy as a part and parcel u idiot. that s why people like u can never enjoy anything cause u r just too damn uptight about everything....lol
no wonder there s no movie culture back home .
these are hardcore masala movies and have to be watched that way .

YAS said:

2 muslims playin 2 hindu Gods n the other side Salman is als ready to play Ram lol gets no better then this...

thats the beauty of india ......srk and aamir in a movie is a very interesting proposition . hell even one of em in a movie is attractive as it is . dont miss mangal pandey ....40 crore worth of historical action bonanza.

Fareb

By Taran Adarsh, July 08th, 2005 - 1400 hrs IST


First AITRAAZ. Then ZEHER. Now FAREB. Love triangles and relationships in Hindi cinema have become bolder and volatile. The third angle in the triangle [woman] is not the type to take things lying down. She's not sugar-coated or docile anymore, but spits acid and breathes fire if provoked.

FAREB is not just a love triangle, revolving around a man torn between love [wife] and lust [the other woman], but also a murder mystery. And the women in this story go to extremes to get the man they desire.

After OOPS! [based on the life of strippers] and KHAMOSHH - KHAUFF KI RAAT [a slasher film], Deepak Tijori attempts FAREB, thereby emphasizing on the fact that he's ready to experiment with diverse genres. If Tijori showed a flair for treading the uncharted path in OOPS!, but went wrong in KHAMOSHH, he gets it right in his third attempt, FAREB.

Not that FAREB is path-breaking cinema. In fact, FAREB is too ordinary a fare as far as the script is concerned, but it's Tijori's execution that holds your interest at several points in the film.

In a nutshell, FAREB could've been a thoroughly engrossing fare, but the script curtails its prospects to a major extent.

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Aditya [Manoj Bajpai] works as a creative director in an advertising agency. His wife Neha [Shilpa Shetty], a medical practitioner, is devoted to her husband and kid.

Riya [Shamita Shetty] was married to a corporate honcho [Bakul Thakker], who happened to be a client of Aditya's ad-agency. Riya and Aditya meet at a presentation and she gets attracted to him. Riya is completely smitten by Aditya and tries to seduce him time and again. He spurns her initially, but succumbs to her charms eventually. This leads to a rift between Aditya and Neha.

And then the unthinkable happens: Riya is murdered. The needle of suspicion points towards Aditya and being the prime suspect, the cops [Kelly Dorji, Hemant Pande] arrest him. Someone is also watching Aditya and blackmailing him for his affair with Riya. Who killed Riya?

FAREB isn't an original subject. A theme like this has been witnessed with regularity in Bollywood. A dash of AITRAAZ [Shamita's characterization is similar to Priyanka's], a bit of ZEHER [sexcapades outside marriage] and a tinge of BEZUBAAN [the blackmailer angle] -- mix them, shake them and FAREB is ready to be served.

From the writing point of view, screenplay writers Brijesh Jayarajan and Girish Dhamija open the cards at the very outset. A happily-married couple, a young entrepreneur who has just lost her husband, the woman seducing the man she wants to possess, the blackmailer, the rift between husband-wife... So much is packed in the first hour.

While Tijori handles the plot convincingly, the pace slows down time and again in this half. The slow pacing can still be overlooked thanks to the twists and turns in the story, which genuinely keep you involved. The intermission point, when Manoj and Shamita have an ugly confrontation, only raises the expectations from the second half.

But problems seep in during the post-interval portions…

The story becomes one of those routine murder-mysteries in this half. From the motive and identity of the blackmailer to the actual culprit in the finale, the sequence of events that lead to the climax are plain mediocre. The identity of the killer does come as a surprise, but not as a jolt. That nail-biting finish is clearly lacking here!

Deepak Tijori takes two steps forward as a storyteller. He gets the grammar of film-making right this time, but the writers don't match up to his enthusiasm. Tijori has also filmed a few sequences with flourish. The courtroom sequence for instance, when Manoj bears his heart out, is well executed. Also, the sequences between Manoj and Shamita, from the time they meet to the spat at the interval point, remain with you.

Writers Brijesh Jayarajan and Girish Dhamija could've thought of a far more imaginative and innovative way to take the story to the finale. Anu Malik's music is in sync with the film and thankfully, the songs don't pop up every fifteen minutes. 'Pehle Se Ab Woh Din Hain' and 'Barasja Ae Badal Barasja' [two versions, at the start and end credits] are tracks that come easy on your lips.

Cinematography [Manoj Soni] is of standard. Dialogues [Girish Dhamija] are okay. Editing [Asif Khan] could've been sharper.

Manoj Bajpai handles his role with amazing ease. He is superb in two sequences mainly, his angry outburst [with Shamita] and the courtroom sequence in the pre-climax. Shilpa Shetty maintains the studied silence part with grace and maturity. Shamita Shetty is getting better with every film. First ZEHER and now FAREB, she has evolved into a fine actor. Also, she exhibits her anatomy without any inhibitions. Kelly Dorji is expressionless. Milind Gunaji and Parmeet Sethi are okay.

On the whole, FAREB is an average fare. At the box-office, the not-too-happening star cast coupled with ordinary merits and a super-strong opposition [DUS] will result in FAREB going unnoticed.

Rating:- * *.

the movie was a slick presentation . i loved it . its a big screen movie and watch it on that only. the songs rock and abhishek and zayed are so hot. not to mention the old horse sanju who s just as ***y as ever.

ok lemme clarify this point once for all ....the hindu and muslims religions are not the same . the hindu religion doesnt prohibit sex beofer marriage and neither is it ilegal in india . most of the teens and adults are sexually active in india u d hardly find any virgins . the place is getting liberal by the day and sex is beeing accepted as a part of life . no one raises any eye brows about sex anywhere. its just out there . on tv...on films ...other medias ..in schools and colleges. the actors are a part of the society at large. i know pakistan and islam is a conservative place but there s no such hinderance in india and most of the young peeps over 16-17 are not virgins in these days and times so neither would be actresses or actors.