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well most of them have had sex, not all, probly all lollywood actress have had sex but most actress from the tv industry are clean, most of lollywood girls are also prostitutes.
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golimaro2 said:
chrizmatic and standard what r these people saying if movie is so good how can it b flopped.mayb movie is doing well in Karachi but not in Lahore or poor publicity another factor of its getting flop.
the movie is doing poor all over pak not just in one city. and no movie is not good, like i said its a bad copy of indian film main hoo na and ddlj.
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well reema and mubasher lucman met few days ago and they both were very eger to release there films on 12th august and have given each other competition.
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aanizdabst said:
that s**t then.. how will the lollywood industry be well knwn if they dont show good movies abord then jus pak.....
well you need some good cash to release your film abroad and your film has to do well locally, otherwise it will fade away like dust, just wat happened to larki punjaban and its the same case with tbjnj, even ajab gul is struggling to release his film in uk after seeing success.
the next films to release in the UK will be ppp and koi tujh sa kahaa.
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i got the news from the distributers and some cinema owners of the film and im sure they know more then you. just wait and watch and see when its published in the papers, then tell me whos idiotic and kidish.
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Debutante Ali Tabish is all excited and geared up. “I was given a big responsibility,” he says, “as mine was a lead role opposite veteran actors. I had to put in my best effort. To shine among such big names stars is easier said than done but I knew Pehla Pehla Pyar was the opportunity of a lifetime. I’m sure no one will be disappointed after seeing the film.” Judging Ali Tabish by his looks alone, one can assume at this point that Lollywood has a new ‘chocolate hero’.
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''It is hard to believe but there’s a number titled Seth Dawood Wants a Dying Girl! We all know Ram Gopal Verma’s degenerated controversy but I am sure that Seth Dawood won’t even notice this publicity stunt.''
that was a misprint, the song is called Seth Dawood Wants the Girl! and is not a publicity stint but the background score of the film.
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this is review from dawn
MusicBox: The flowers or romance
Ajab Gul moves in mysterious ways. He claims to have helped music composer Zain in creating the memorable, hummable and above all, listenable songs for Khoay Ho Tum Kahan, his debut directorial venture four years ago. This time around, he stuns all by composing the songs of Kyun Tum Se Itna Pyar Hai himself, which might not be of the same calibre, but are definitely better than most of the run-of-the-mill Lollywood soundtracks currently doing the rounds.
The first song, O Mere Saajan, is nothing to boast about since it has an amateurish composition, but the ever-dependable Udit Narayan steals the show with Aik Ladki Nay, keeping listeners glued to the soundtrack. Chan Chan Meri is a track that is meant to make you tap your feet but ends up making you search for a better song, which follows in the form of Dunya Kahay where the vocalists sound fresh, better than the Humera Channas and the Waris Baigs of Lollywood. The title track comes next, which is a song one should listen to again and again, not because it is good but because it is original and captivating. But considering its slowness and over seven-minute length, this reviewer’s patience wore thin! Chero Na Chero has, just like its predecessors, a chorus that sounds more Bollywood than Lollywood, even more due to the fact that the songs were recorded across the border. Reminds one of Yash Chopra’s movies, which is an achievement in itself.
The recording, arrangement, chorus and choice of singers is better and fresh for a change. Udit Narayan leads the vocalists, considering this is his second major film for Lollywood after Ghar Kab Aao Gay in 2001. He is accompanied by Shaz Ali, Pamela Jain and Maya Ram Din who excel but would have been far better had the lyrics been sober. The lyrics make this album seem below average when you have lines like ‘Sun mere balaam, dil ka aalam’ and constant use of trite phrases like ‘O mere saathiya, O mere saajan’ and rhyming words like piya and duniya. And yes, ‘No one leaves without paying’ is the tagline of the film.
On the whole, considering the sorry state of affairs in Lollywood, I now know why I don’t hate this soundtrack like the usual stuff – the name says it all! —Omair Alavi